UNUM: A Few Creative Highlights In An Overall Obtuse, Monotonous Performance

Halfway through the performance of UNUM in Oberlin’s Wilder Main on Friday, February 23, two performers entered from stage right and paced slowly into center stage. Between players Penina Biddle-Gottesman and Fae Ordaz hung an instrument: several metallic strings were harnessed to the two of them and held taut. It was a fascinating device that… Continue reading UNUM: A Few Creative Highlights In An Overall Obtuse, Monotonous Performance

James Blake Playing Robots Into Heaven Almost Makes the Most Out of a Minimal Instrumental Palette

Album Release: September 8, 2023 James Blake’s 6th studio album, Playing Robots Into Heaven, sees the 34-year-old electronic artist mixing influences of trap and club music into his developed bag of tricks. It takes a haunting look at Blake’s connection with his loved ones, his audience, and his role models. He expertly weaves echoing piano… Continue reading James Blake Playing Robots Into Heaven Almost Makes the Most Out of a Minimal Instrumental Palette  

Singing Violas from the “Docter’s office”

By April Lee It has been traditional in the “Docter’s office” to include singing in student recitals. Kirsten Docter, viola professor at Oberlin Conservatory, and her students joined forces to put together a lovely ad-hoc concert — Viola Choruses — on May 6 at 4:30 PM in Stull Recital Hall.  The program began with four… Continue reading Singing Violas from the “Docter’s office”

Why Sampling In Music Is Dead (Or Not)

By Max Newman In a 2017 interview with The Guardian, esteemed artist DJ Shadow discussed the current state of sampling in music. Defined by the Abbey Road Institute as “including an element of a pre-existing recording by someone else in a composition”, sampling is something that Shadow is no stranger to. The veteran DJ (real… Continue reading Why Sampling In Music Is Dead (Or Not)